Oppenheimer
The publicity of “Barbenheimer” has tapped into the competitive nature of human beings, exploiting that impulse to generate phenomenal ticket sales. The two films also tap into the political dichotomy… Read more »
The publicity of “Barbenheimer” has tapped into the competitive nature of human beings, exploiting that impulse to generate phenomenal ticket sales. The two films also tap into the political dichotomy… Read more »
Kathryn Bigelow’s follow-up to her much acclaimed film The Hurt Locker (2008) was the fictionalized retelling of the historical record of the CIA’s manhunt for Osama bin Laden Zero Dark… Read more »
First Man, Damien Chazelle’s follow-up to La La Land (2016), is diametrically opposed to both the musical genre and fantastique escapism in general. First Man (2018) is a film about… Read more »