Broken English
Zoe Cassavetes’ first feature film, Broken English (2007), is an analysis of what love means to her generation, and the perception of happiness that goes with it. Stylistically, the film… Read more »
Zoe Cassavetes’ first feature film, Broken English (2007), is an analysis of what love means to her generation, and the perception of happiness that goes with it. Stylistically, the film… Read more »
In The Mood For Love (2001) continues director Wong Kar-wai’s preoccupation with emotions unexpressed and love gone unconsummated. Of all of Wong Kar-wai’s feature films, In The Mood For Love best… Read more »
If COVID-19 or police oppression has got you down and you’re in need of some frivolous escapism, if you find yourself in the mood for a saccharine adventure film, look… Read more »
During the last few weeks I have begun again a survey of the cinema focused upon the “alternative” of cinematic expression. I must confess that I do not feel intellectually equipped… Read more »
It is indisputable that Agnes Varda’s background as a photographer has informed all of her films. Her primary concern as a filmmaker has always been with the ability of film,… Read more »
Guy Maddin has been one of the most unique voices in cinema for over two decades now. His films are a return to the primitivism of early surrealist filmmaking, succeeding… Read more »
I decided to repost this short review after screening this film in my class. This piece originally appeared in 2012. Ryan Fleck and Anna Boden have been collaborating on films… Read more »
There has been a lot of discussion around Rivette’s films lately, a kind of renewed interest or mass discovery by a new generation. Lincoln Center recently hosted a parallel retrospective… Read more »