Ley Lines
Few filmmakers are even half as prolific as Takashi Miike. For that reason alone you have to respect him as a filmmaker. Miike has tried his hand at every genre,… Read more »
Few filmmakers are even half as prolific as Takashi Miike. For that reason alone you have to respect him as a filmmaker. Miike has tried his hand at every genre,… Read more »
X is Y (1990) is classic Richard Kern. Since his heyday as one of the great provocateurs of the Transgressive Cinema movement Kern has been working primarily as a photographer…. Read more »
I wrote a piece recently about sensory memory. For me personally I experience sensory memory through the cinema more than any other stimuli. To Sleep With Anger (1990) in particular… Read more »
Mike Leigh’s film Naked (1993) isn’t so much concerned with the physical world of its characters, nor even its audience, but rather the spiritual world they inhabit. This assumption may… Read more »
It was undoubtedly gratifying to be the husband of one of the handsomest and most popular young married women in New York, especially when she was also one of the… Read more »
In 1991, Todd Haynes resurrected the romantic notion of the homosexual as an outlaw with his film Poison. Poison, loosely based on three different novels by Jean Genet, launched the… Read more »
Surviving Desire (1992) deals with the intelligentsia, and the inherent problems of a relationship between an older man and a younger woman. However, Hartley’s older man, Jude (Martin Donovan), isn’t so… Read more »
The evolution of camera language in the cinema is constantly at work. Either the camera itself is changing or the style and idea of frame is changing. Festen (1998) is… Read more »
I’m not at all familiar with the films of Nadia Tass, but I am a huge fan of Danny Glover which is what drew me to Pure Luck (1991). Apparently… Read more »
This piece was written in answer to a challenge issued by Roxy at Viva Video : The Last Picture Store to write seriously about the themes in The Christmas Tree… Read more »