Looney Tunes: Back In Action
I don’t know why people hate Looney Tunes: Back In Action (2003) the way they do. Negative reviews have kept me away from this Joe Dante classic for far too… Read more »
I don’t know why people hate Looney Tunes: Back In Action (2003) the way they do. Negative reviews have kept me away from this Joe Dante classic for far too… Read more »
In 1982, semiotext(e) published Vol. IV, No.2, The German Issue. For this publication Hans Jurgen-Syberberg contributed the piece Our Syberberg. In a one-paragraph essay Syberberg not only outlines the purpose… Read more »
Ms .45 (1981) tells the familiar exploitation narrative about a woman who is raped several times in the course of a day and as a result begins killing would-be assailants… Read more »
Dracula (1931) is essentially an exercise in the style of Gothic Horror whose success succeeded in establishing that style as the definitive aesthetic of Universal Studios’ horror films of the… Read more »
It was undoubtedly gratifying to be the husband of one of the handsomest and most popular young married women in New York, especially when she was also one of the… Read more »
John Cassavetes’ film Opening Night (1977) is not surreal in the traditionally filmic sense, but in many ways comes closer to surrealism than most American films that claim to do so. Opening… Read more »
In 1991, Todd Haynes resurrected the romantic notion of the homosexual as an outlaw with his film Poison. Poison, loosely based on three different novels by Jean Genet, launched the… Read more »
Orson Welles presents himself as an interesting phenomenon of studio era Hollywood. His aggressive and independent methods as a filmmaker are what both brought him his early success and later… Read more »
By 1983 David Bowie had already achieved international stardom. Between 1976 and 1983 Bowie had released his most critically acclaimed and influential albums: Station To Station (1976), Low (1977), “Heroes”… Read more »
Surviving Desire (1992) deals with the intelligentsia, and the inherent problems of a relationship between an older man and a younger woman. However, Hartley’s older man, Jude (Martin Donovan), isn’t so… Read more »