I, Tonya
I happen to agree with a number of critics that Craig Gillespie’s I, Tonya (2017) owes a remarkable amount to Martin Scorsese’s film Goodfellas (1990). I, Tonya is, in many… Read more »
I happen to agree with a number of critics that Craig Gillespie’s I, Tonya (2017) owes a remarkable amount to Martin Scorsese’s film Goodfellas (1990). I, Tonya is, in many… Read more »
This piece originally appeared on a different blog in 2015. At the time the Film Society Of Lincoln Center was hosting a retrospective of Borowczyk’s work. Between April 2nd and… Read more »
After a pleasant weekend at the Philadelphia Comic-Con, for whatever reason, my mind wandered to Mark Rappaport’s film Impostors (1979). It was refreshing and encouraging to remember a film which… Read more »
You think I want to be popular? You think I want them out on video? I want millions of people to see my movies? Why would I? – John Cassavetes… Read more »
Rainer Werner Fassbinder’s In A Year With 13 Moons (1978) tells the story Elvira (Volker Spengler), a trans woman in love with a man who “can never love anyone”, Anton… Read more »
When The Walt Disney Company released Sister Act (1992) through Touchstone Pictures they sold the film as a family comedy and targeted parents with children between the ages of 8… Read more »
Yorgos Lanthimos’ The Lobster (2016) is one of the darkest films that I have seen this year. In terms of its concept and narrative structure Lanthimos’ film is clearly indebted… Read more »
Director Fred Zinnemann is one of a handful of German directors, including Billy Wilder, Douglas Sirk and Robert Siodmak, who relocated to Hollywood in the thirties. In terms of political… Read more »
When you are a little boy like I was when I saw The Red Balloon (1956) for the first time it has an indescribable effect on you. Sure a film… Read more »
Chris Marker’s The Sixth Side Of The Pentagon (1968) captures the fervor of the Yippies’ protest of the Vietnam war at the Pentagon on October 7th, 1967. This non-violent protest… Read more »