Scoop
Scoop (2024) follows in the mold of Spotlight (2015); another descendent of All The President’s Men (1976). These films focus on journalists working to get the truth out to the… Read more »
Scoop (2024) follows in the mold of Spotlight (2015); another descendent of All The President’s Men (1976). These films focus on journalists working to get the truth out to the… Read more »
Adam Carter Rehmeier’s film Snack Shack (2024) follows in the footsteps of Summer Days, Summer Nights (2018), Adventureland (2009) and a slew of other summer set coming-of-age dramas. Although it… Read more »
Alexandre O. Phillippe’s You Can Call Me Bill (2024) finds its subject, William Shatner, thinking about the end of his life, global warming, and a career spent entertaining the world… Read more »
Against The Grain (2023) isn’t just a special feature on Vinegar Syndrome’s Lost Picture Show boxed set, it’s a film that is both a lover letter to and a history… Read more »
Ethan Coen and Tricia Cooke have made their debut fiction feature together. It’s called Drive-Away Dolls and it follows two women on a road trip who get caught up with… Read more »
Madame Web (2024) would make an ideal case study in studio meddling and second guessing. The sloppy ADR, unfinished special effects and soulless characterization do little to elevate the incoherent… Read more »
I think having an intellectual property (be it a novel, a film or album) that you really and truly love is very important. If there’s a work of art that… Read more »
Before going to see Denis Villeneuve’s Dune: Part Two (2024) this last weekend I revisited David Lynch’s Dune (1984). No film is going to match the style of Lynch’s kinky… Read more »
Michael Mann has found his double in Enzo Ferrari (Adam Driver). Ferrari (2023) is a portrait of a man driven to achieve perfection at the cost of relationships, humanity, and… Read more »
It’s impossible to watch Ridley Scott’s film Napoleon (2023) and not compare it to Abel Gance’s epic masterpiece Napoléon (1927). By comparison Scott’s film feels heavy and directionless; a behemoth… Read more »